This ripped tendon is still affecting my typing – saving my writing energy for Mesh. Still seeing/reading/experiencing sci-fi, so let me jot down a few notes.
I’m going to get some flack for this, but I don’t care. Having seen the first GotG, and now the second, I am remarkably ambivalent about this Marvel franchise. Yes, the acting is great. In fact, the actors consistently rescue what would otherwise be a plodding, hum-drum action story piling layer after layer of perilous escapes until you’re dizzied and numbed, going “Did Michael Bay direct this thing?”
I mean, if Michael Bay is your thing, great. I’m not going to judge. I just didn’t find anything compelling or interesting in the main plots. I thought the underlying themes of loss, redemption and family were interesting, but I didn’t go into the theater looking for Good Peter Quill Hunting.
And what’s with the music? Are we now living in an era where people are prepared to believe that the Seventies soft-rock classics are the pinnacle of the audio art form? When did that happen. It’s like you’ve never seen a Time Life commercial in your life. Continue reading
Life told me I was forty-years old by giving me a mallet finger deformity. Doesn’t look like much does it? I wish it felt that way – I jammed my middle finger and it stayed bent. The doctor says I tore the tendon in my last joint and that I was lucky. “If you waited a week to come in, it would have healed that way and you’d be stuck with it for life.”
So here’s me, feeling lucky.
It’s going to be tough to type without my EDC finger, but Mesh won’t write itself. I’m polishing and iterating as we speak – forty is the new thirty!
At least, I hope so.
Just finished writing an article for consideration in the upcoming Comic-Con souvenir book. I’m not attending, but I like being a part of it. This year, they’re celebrating one of my favorite cartoon series – Batman: The Animated Series. It took Batman: TAS for pop culture and Hollywood to realize that cartoons were a serious storytelling medium. It wasn’t enough for Scooby and the Gang to rip the mask off the villain by the end of the show. Batman: TAS showed us that when you rip the cover off, there’s still a world of pain and joyful anarchy underneath.
I love that show and it brought back a lot of happy memories to write “Dark Deco and Neo-Noir for Kids – Batman: The Animated Series at Twenty-Five.” I look forward with fingers crossed to see if it shows up in the Comic Con Souvenir Book – I’ll keep you posted! 😀
DONE, DONE AND DONE.
It’s taken four months of grinding, but I’m happy to say that the first draft of ‘Victoria Crater’ is complete. Under normal circumstances, it shouldn’t take four months to write thirteen-thousand words, but VC was an experiment for me. I had to develop a whole new writing style to bring together new elements of storytelling. The process is kind of like reverse-engineering a Jackson Pollack to understand how you should mix paint.
For my part, I’m happy but exhausted – this was a lot more work than I thought it’d be! The fact is, I’m glad I did it. It was hard, it was a challenge, and I did it. Being able to say that makes me feel good.
Would you like to test-drive Victoria Crater? Go visit the thread on Reddit to learn how you can get a beta copy.
Two rejection notices for short stories. Submitting them elsewhere and refusing to give up!
Rejection never feels good, but if you’re a creative person, you have to learn to live with it. I remember an interview with Jerry Seinfeld in which he described the process of writing comedy every day. Someone asked if it was easy for him and he said, no … sometimes it was torture. But, Seinfeld continues, in life you have to find the torture you can live with.
That’s where I am. It’s torture, but I can live with it.
Another wallpaper for you … experimenting with different processes to achieve photorealistic sci-fi